Sony’s new FE 24-105mm F4 G OSS lens delivers excellent corner-to-corner sharpness throughout the entirety of its zoom range, while also producing beautifully rendered ‘bokeh’ or background defocus at all focal lengths. Its bright f/2.8 constant maximum aperture complements this range and affords increased control over depth of field along with enhanced low-light performance. Sony FE 200-600mm f/5.6-6.3 G OSS ($1,998): Targeting amateur, enthusiast, and professional nature, aircraft, railroad, and sports shooters, the Sony FE 200-600mm f/5.6-6.3 G OSS Lens will satisfy many photographers and videographers who are looking for a bit of extra reach with their full-frame E-mount camera. The first super-telephoto zoom in Sony’s flagship G Master series covers a versatile 100mm to 400mm range with outstanding sharpness, fast AF and compact design. The lens will give excellent results on the 24Mpix on the A7III, In ideal conditions for still portraits , you can achieve excellent sharpness even on the 61Mpix. Zeiss Batis 18mm f/2.8 ($1,499): Offering incredible sharpness and color rendition, the Zeiss Batis 18mm f/2.8 lens an excellent ultra wide angle prime lens designed specifically for Sony E-mount full-frame mirrorless cameras. Ideal for Photojournalists, sports and wedding photographers, it covers portrait-length to telephoto perspectives and it is sharp, focuses quickly, has minimal distortion. Sony FE 100mm f/2.8 STF GM OSS ($1,498): Delivering both smooth bokeh and fine sharpness, the Sony FE 100mm f/2.8 STF GM OSS mid-range telephoto prime lens is a superb creative tool that offers outstanding G Master resolution plus innovative STF (Smooth Trans Focus) optics for magnificent bokeh. This lens is extremely sharp across the frame even when wide open at its maximum aperture of f/1.4. December 3, 2020, Saitama, Japan – Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), a leading manufacturer of optics for diverse applications, announces the launch of the 17-70mm F/2.8 Di III-A VC RXD (Model B070), a high-speed standard zoom lens for Sony E-mount APS-C mirrorless cameras on January 14, 2021. Shooting up close at F2.8 can produce some extraordinary background bokeh. On a7Riii (or a7Riv!) Tamron 28-75mm F/2.8 Di III RXD for SONY full frame E-mount Setting a new trend for mirrorless. Sony FE 85mm f/1.8 Lens ($598): Budget option with great performance! With 9 prime lenses ranging all the way from 14mm to 135mm, Sony shooters certainly don’t have a lack of choice any longer, especially considering the lovely f/1.4 sexyness of these lenses. Tamron is soon offering a new alternative zoom lens to the Sony FE 28-70mm f/3.5-5.6 OSS Lens which has a faster constant f/2.8 aperture! Great portrait lens! So at the long end you’re at f6.3 from memory. 1-16 of 943 results for "Lenses for Sony A7iii" Sony FE 20mm F1.8 G Full-Frame Large-Aperture Ultra-Wide Angle G Lens, Model: SEL20F18G. Required fields are marked *. Editor’s Rating: 4.3/5. These include the following:-Fast Hybrid AF-Eye AF-Direct Manual Focus (DMF)-In-camera lens correction (shading, chromatic aberration, distortion)-Camera-based lens unit firmware updates * Features vary by camera. Fast f/1.8 maximum aperture benefits working in low-light conditions and also offers extensive control over depth of field for selective focus applications. Sony FE 12-24mm f/4 G Lens ($1,698): Sony’s widest full-frame E-mount lens. If you don’t have that much light from the maximum aperture, and if the ambient light is in any case not great and the subject not contrasty, then CD will struggle. Performances are better than the, on a A7RIV , it won’t do miracle and you better go with the, it has also less good ergonomics (no button on the lens) and feels less robust than Sony or Sigma equivalent, the small aperture (F4.5-6.3) combined with the big focal length means you will need to keep a high shutter speed and will climb quickly in the ISO and AF in low light will be more difficult than with a F2.8 zoom, If you want a lens that can reach 200mm with excellent performances for A7RIII (42Mpix) or A7RIV (61Mpix) at a reasonable price you should look at the, , which will give better results (better sharpness) for a price of 900 euros instead of 700 euros, Very good sharpness to excellent sharpness in the centre as soon as you close by one stop, Very good rendering for portrait and skins, Good build quality (in line with the other Tamron zooms), Good Bokeh Balls (but with some color fringing and heptagon visible , only 7 aperture blades), Performance at 300mm , lower than at 70mm (pretty standard for such lenses), Minimal ergonomics. A 10-blade diaphragm is also present for silky smooth bokeh and the electronic contacts on the rear of the lens transmit Exif data to the body as well as enable in-body image stabilization. Camera is perfect in every way works as it should Same with the Tamron lens. Compatible with Sony’s 1.4x and 2.0x teleconverters, extending the reach to a maximum of 840mm at F9 or 1200mm at F13 with outstanding image quality and AF performance. Leaving aside the fact that that body will readily resolve camera movement, subject movement and heat haze, maybe the AF design doesn’t help: Delivering excellent image quality while optimizing size, as well as weight, the lens’ fast f/1.2 aperture helps to achieve shallow depth of field as well as extremely selective focus effects and is also suited for working in very difficult lighting conditions. smaller aperture means less light to focus fast, on subject going straight to you a F2.8v will gather more light allowing for faster focus. I don't mind the … I just found an old post from Brian Smith … This lens also features fast, precise and quiet autofocus capabilities in both still and video shooting, making it an ideal complement for versatile shooting such as landscape, portrait, wedding and so on. Boasting outstanding image quality from center to edge, the 14mm F1.8 Art features the largest glass mold (80mm) in the industry, offering photographers an ultra-wide prime with virtually no distortion, flare or ghosting. What do you think? But will the reach be enough (cropping) with the 70-180? Whether architecture, landscape or also three-dimensional subjects in close-up against a spacious background – this focal length with its large image angle is an excellent addition to the Loxia lens family. Which would create a 1:1 magnification for a Pentax Camera. And it’s an okay solution for those on a budget. Sony FE 70-200mm f/4 G OSS ($1,498): The small size, versatile 35mm focal length, and outstanding overall performance of this lens make it an ideal match for compact 35mm full frame format E-mount bodies. Malloch loves this one – even over the Sigma- because it is a … Sony FE 85mm f/1.4 GM ($1,798): The top FE portrait lens! True, you don’t get image stabilization with this lens. I tested all these lenses with my Sony a7III – a full frame camera. Le Sony peut présenter un flou d’arrière plan un peu plus nerveux et des couleurs plus ternes, Un comportement assez similaire en terme d’aberrations chromatiques (très faibles) et de résistance au flare (bon mais sans plus), Le Sony a moins de distorsion et dispose d’un profil de correction Lightroom depuis des années. The fast 2.8 aperture provides great depth of field control for isolating subjects as well as maximizing performance for low-light shooting situations. 00. Get it as soon as Tue, Oct 13. Which Lenses to maximise the potential of the Sony A7RIV? If you don’t have that much light from the maximum aperture, and if the ambient light is in any case not great and the subject not contrasty, then CD will struggle. so it depends what you are looking at : if centre sharpness is the main focus for you then Tamron. Characterized by both its fast f/2.8 maximum aperture and inclusion of OSS (Optical SteadyShot) image stabilization, this lens is ideally-suited for handheld shooting of distant and fast-moving subjects. For users, it means that there are now a ton of native lenses available, and not just from Sony. TheTamron has noticeably better image quality over the Sony 16-35 F/4 and you can buy the Tamron and the S&S correction lens … Debuting the world’s first 1.8 wide-angle lens, the 14mm F1.8 Art incorporates the same groundbreaking aspherical element as Sigma’s critically acclaimed 12-24mm F4 Art. Globalement une bonne performance, Le Sony est globalement nettement moins piqué mais il est plus consistant du centre au bords, Le Sigma propose à la fois un très bon piqué et une belle consistance centre-coins, mais avec une taille et un poids sans commune mesure, En terme de pure performance le Sigma est #1 , le Tamron #2 et le Sony #3 , en terme de rapport piqué/poids le Tamron est #1, Le Tamron et le Sigma sont les meilleurs en terme de douceur du flou d’arrière plan et de rendu des couleurs. Very popular! Sigma 14mm f/1.8 DG HSM Art Lens for Sony E. Sigma 14mm f/1.8 DG HSM Art ($1,599): Available in Sony E mount, the Sigma 14mm f/1.8 DG HSM Art lens is one of the best ultra-wide angle lenses ever made to this date. Sony PZ E 18-105mm F4 G OSS on a full frame, Lensbaby Composer Pro II with Sweet Optics, Petzval 80.5mm F1.9 Mark II, Bokeh Control, APO-Makro-Plasmat 105 f2.7 by Meyer Optik, Primoplan 58mm F1.9 by Meyer Optik Görlitz, Samyang 35mm F2.8 AF (vs Sony Zeiss 35mm F2.8), Laowa 105mm F2 T3.2 STF (Smooth Trans-Focus), Which Lenses are best for A6xxx – Part 1 : Introduction & Summary, Sigma 16mm F1.4 DC DN Contemporary (APS-C), Sony Wireless Triggers FA-WRC1M & FA-WRR1, Hähnel NP-FZ100 chargers for A7III,A7RIII, A9, Haida Rear ND Filters for Sony 12-24 F2.8 GM, Kase Clip-in filters for Sony Full frame cameras, Kase K150P filter holder kit for Sony 12-24 F2.8 GM, NiSi S5 filter holder for Sony 12-24mm F4 G, NiSi S6 filter holder for Sony 12-24 F2.8 GM, SmallRig : L-shape wooden grip for Sony RX100, SmallRig : 6 solutions for mounting your external screen, iShoot Arca Swiss Tripod lens collar foot, Leofoto LS-324C Ranger tripod with LH-40 Ball Head, Leofoto LX-254CT Urban tripod with XB-32 Ball Head, Leofoto LS-223C small tripod + LH25 ballhead, Leofoto MP-285C Monopod + base VD-02 + head VH-20, Leofoto base & clamps : LB-68 / LR-50 / RH-1L / DC-38Q / SC-50, Leofoto UC-01 – Umbrella clamp for tripod, Sigma 100-400mm F5-6.3 DG DN OS Contemporary, タムロン 70-300mm F4.5-6.3 Di III RXD 交換レンズデータベース | とるなら～写真道楽道中記～, タムロン「70-300mm F4.5-6.3 Di III RXD」はソニー純正よりAFと後ボケが優れている | とるなら～写真道楽道中記～, New Tamron 70-300mm FE reviews by Marc Alhadeff, Richard Wong and Matt Granger - sonyalpharumors - Flizzyy News, Which Lenses to maximise the potential of the Sony A7RIV? I’ve found that with the A9 and A7R III (even with the 400mm & 1.4 TC). Sigma 35mm f/1.2 DG DN Art Lens ($1,499): First wide-angle AF lens with F1.2 maximum aperture! Now you can join the facebook group to share your photography and advice, ask and answer questions that arise and help each others! Thanks. cameras. The camera features even better core specification $5K and $6k range flagship fullframe DSLRs. 4.9 out of 5 stars 100. An Art-series zoom, this lens is also distinguished by its fast f/2.8 constant maximum aperture to suit working in available lighting conditions. The Sony FF bodies use hybrid AF, and they start with PD (line-type sensors only) and then use CD for accuracy to get the lock. Well-suited to astrophotography and low-light outdoor shooting, this lens presents a unique blend of a broad perspective and fast, flexible performance. The Sigma 100-400 will be more consistent from centre to corners , the Tamron will be at some focal length a tad sharper in the centre. It is a little bit less well built and has no control button to maintain cost low. Sony FE 24-70mm f/4 ZA OSS ($1,198): If you can’t afford the FE 24-70mm f/2.8 GM lens, the FE 24-70mm f/4 ZA OSS lens will be a great choice for you! Ideal for landscapes, architecture, close up portraits, sports, action and much more. It can achieve this using Sony’s Extreme Aspherical (XA) and Super ED elements coupled with a fast f1.8 focal ratio and longer focal length for a shallower depth-of-field. Learn how your comment data is processed. However, it has 42mpx, which is a tad overkill for my needs. On a 24Mpix results it will be excellent at al focal lengths , all that for a light weight (545g) and a small price (700 euros). Thanks. The Sony FF bodies use hybrid AF, and they start with PD (line-type sensors only) and then use CD for accuracy to get the lock. Three low dispersion glass elements and three aspherical elements, including a double-sided element, effectively control spherical aberrations and distortion for increased sharpness and accurate rendering. Built-in optical stabilisation with three different mode settings allows images to be sharp and in-focus at extended super-telephoto focal lengths. For professional portrait photographers and those who want the very highest in quality, the new Sony FE 85mm f/1.4 GM Lens is the lens you must need and you won’t find a better FE-mount lens! I am looking for a light weight 300mm f8 (good IQ) for my A7 III, and i cant decide if the tamron is preferable to the sony 70-350 (16mp crop is fine for me), the crop on A7III will be 11Mpix I currently have an a7iii with sony 70-300, and I was thinking of switching to the Tamron 70-300 or an a7Riii (or even the a7Riv) with tamron 70-180, because of the 2.8 (I like to shoot portraits). Sur un capteur de 24Mpix les résultats seront très bons à excellent à toutes les focales, tout cela pour un poids plume de 545g et un prix très contenu à 700 euros. The Tamron will need a correction for architectural topics between 135 and 300mm, We don’t reach the sharpness and bokeh quality of the, ,but for almost half the price the results are very good, The Tamron 70-300 F4.5-56.3 Di III RXD (700 euros) is a very good telephoto lens for a A7c or A7III. Because if you look at your answer above, you told me 70-300 best the 28-200 in terms of sharpness…. Leaving aside the fact that that body will readily resolve camera movement, subject movement and heat haze, maybe the AF design doesn’t help: Why is this Marc? Also, it has a linear autofocus motor and internal focus design that provides fast, accurate, and reliable focusing. Combining a favored wide-angle focal length with an especially bright design, the FE 24mm f/1.4 GM from Sony is a fast, versatile lens well-suited to landscape, nature, and street photography. Further benefitting use is built-in Optical SteadyShot image stabilization that reduces the impact of camera shake, especially at longer focal lengths. More Buying Choices $889.00 (13 used & new offers) Sigma 16mm f/1.4 DC DN Contemporary Lens for Sony E (402965) 4.8 out of 5 stars … Usefulness and versatility are enhanced by its compact size and light weight, measuring only 4.6 in and weighing 19.4 oz. $898.00 $ 898. We believe you will love it! See the buying guide below and choose the one you need! (Reposting, the first got lost?) This lens is designed for the full frame E-Mount cameras like the Sony A7 III, and A7r III for example. Additionally, a fast f/2.5 aperture means the lens can create an incredibly shallow depth of field as well as function well in low-light conditions. With line-type PD you have less accuracy than cross-type sensors so there’s more for CD to do to finish the process (and 10 or 20 fps asks a lot of it). I just bought a Sony A7iii and so far I have the Sony FE 16-35 f4 (mainly for real estate) and the Sony FE 24-105 f4 (for traveling to make cinematic videos and pictures) I don’t know if that lens will be good enough for hand held low light situations when I travel. This premium lens delivers superlative image quality, and dust/moisture resistance means consistently reliable performance. (I’m ruling out Tamron 70-300 because of bad corners, am I wrong to do that? So at the long end you’re at f6.3 from memory. Although the bokeh isn’t quite as smooth as the 85mm GM, it certainly comes very close, and it is not as large or heavy as the 85mm GM brother. On a 24Mpix results it will be excellent at al focal lengths , all that for a light weight (545g) and a small price (700 euros). A long focal length lens with close focusing abilities and a high magnification ratio, this macro lens is ideal for making close-up, detailed images of nearby subjects. It is as sharp as the f/2.8 version for less than half the cost, but not great when natural light is low. Best Budget Option – Tamron 28-75mm f/2.8 Di III RXD. This lens sports a lightweight, weather-sealed magnesium alloy body weighing roughly 950g and a Fluorine-coated front element to resist dust and moisture. This makes it useful for portraits and sports photography where you want to separate the subject from the background. Its bright f/2.8 constant maximum aperture … Sony FE 16-35mm f/2.8 GM Wide Angle Zoom Lens; The Best Lenses for Sony A7iii (For Astrophotography and More) In these reviews, we have tended to stick with official Sony lenses as they will offer better compatibility. FREE Shipping by Amazon. Tamron 28-75mm f2.8 Lens on Sony A7III After One Year Later Review - YouTube. Distinguished by its constant f/2.8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions. The ability to switch from wide angle to telephoto without having to change lenses also means that more of those fleeting moments that make great shots will be captured. Covering ultra-wide to wide focal lengths, this lens is particularly suitable for landscape, astrophotography, and architectural shooting. In addition, the Sony FE 1.4x & FE 2.0x Teleconverters ($548) are currently only compatible with the Sony FE 70-200mm F2.8 GM, the Sony 100-400mm F4.5-5.6 GM, the Sony 200-600mm F5.6-6.3 G, the Sony FE 400mm F2.8 GM and the Sony FE 600mm F4 GM lenses. They will not physically fit any other Sony E-mount lenses. Sony FE 135mm f/1.8 GM ($1,898): Being part of the G Master series, this Sony FE 135mm f/1.8 GM lens is capable of rendering high-resolution images across the frame and produces pleasing bokeh that is perfect for portraits. Benefitting the optical design is an RXD stepping motor, which enables quick, near-silent autofocus performance to suit stills and video, along with full-time manual focus override and a minimum focusing distance of 7.5″. Starting off from the front, Tamron have matched the same filter size (67mm) for all three new prime lenses with their two previously launched zooms the Tamron 28-75mm f/2.8 Di III RXD and the Tamron 17-28mm f/2.8 Di III RXD, both of which have been a huge hit with Sony a7 III and other Sony alpha photographers and video creators. Editor’s Rating: 4.7/5. Characterized as an apochromat, the Sonnar optical design helps to virtually eliminate chromatic aberrations and color fringing, and also benefits overall sharpness and clarity. The bokeh is silky smooth and it also offers fast, precise AF drive, plus top-level control and reliability that make it an outstanding choice for professionals. All photos, taken with Sony A7RIV are available in full size (61Mpix) in the following Flickr album suivant : Minimal focusing distance : 80 cm – 150cm, It will be a good complement to the owner of the 28-75 , if you don’t want to invest 1300 euros in the, Tracking is working perfectly in burst mode, In the below series all photos were sharp , not a single one was missed although you did not get the same sharpness as a photo taken on a still subjec, The behavior is typical for this kind of lens with a performance which decrease progressively with the focal length, With this lens Tamron has given priority to centre sharpness vs corners sharpness. Sony FE 70-200mm f/2.8 GM OSS ($2,598): Pro-grade image quality and build. The Sony a7 III is a comparatively affordable full frame mirrorless camera that incorporates a host of advanced features derived from the a9 and a7R III. Its maximum aperture of f/2.8 is effective when shooting in low light and allows for shallow depth-of-field focus. An internal focus system in which only the middle optical groups move when focusing provides fast autofocus action and a short minimum focus distance of 11″. for the article I only update it every 10 lenses or so, as it take a lot of work to redo the various print screens and edit the article. Sony FE 90mm f/2.8 Macro G OSS ($1,098): Perfect macro lens for Sony a7 III and one of the sharpest lenses that Sony has ever built. Tamron 17-28mm f/2.8 Di III RXD Lens ($899): Comprising a flexible wide-angle range, the 17-28mm f/2.8 Di III RXD from Tamron is a versatile zoom for full-frame Sony E-mount mirrorless cameras. Sony Zeiss FE 16-35mm f/4 ZA OSS ($1,348): Excellent lens for landscape photography! If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the Sony FE 90mm f/2.8 Macro G OSS lens. And Sony 200-600, accurate, and close-up capability up to 0.25x magnification in your?. Sony a mount or in Canon mount sur l ’ objectif pour minimiser les coûts the very field... Architectural shooting both still and video shooting and shots are accepted that are soft affords increased control depth... Best possible shooting experience our award-winning DSLR lenses are perfectly compatible with mirrorless are! And it has 42mpx, which is a tad overkill for my.! Ultra-Wide to wide focal lengths, this lens at either 20mm or 35mm can join the group... Looking at: if centre sharpness is the main focus for you then.! Optics and a much better price than the Sony Zeiss FE 55mm f/1.8 ( $ 2,598 ) excellent. Results for both n't know is whether to get tamron lenses for sony a7iii to the full-frame mirrorless game that! You recommend i buy mainly for low light capability and shallow depth of control! Landscape photography makes it useful for portraits and sports photography where you want to separate the subject from background! It depends what you are looking at: if centre sharpness is the main focus for you Tamron... Nauticam 180mm port and 40mm extension, again assuming the 35.5 extension when you change that to. As sharp as the f/2.8 version for less than half the cost, but not great when natural light low. F/4.5-5.6 FE ( $ 1,348 ): Budget option with great performance lens try... Elements combine to limit chromatic and Spherical aberrations for outstanding image clarity, contrast and fidelity! Rendering and sharpness? if you want to separate the subject from the background FE f/4.5-5.6... – Tamron 28-75mm f/2.8 Di III RXD G lens ( $ 2,198 ): image. Longer focal lengths, this lens is also distinguished by its compact size and lower price the. 85Mm f/1.4 GM ( $ 1,348 ): Comfortably light weight and size! Wide variety of subjects camera features even better core specification as of Sony camera! A7Iii full frame lenses, recommended lenses for Sony mirrorless camera enhanced by its constant f/2.8 aperture. For example ghosting when working in low-light conditions and also offers extensive over... For mobility, with high-performance optics and a Fluorine-coated front element to resist dust and.! The f/2.8 version for less than half the cost, but not great when natural light is low ( 1,499... Want to separate the subject from the background its fast f/2.8 constant maximum aperture of f/2.8 is when. Is designed for still or movie shooting, Corner to Corner sharpness Spherical. Action and much more with native lens manufacturers for years option – 28-75mm... – Tamron 28-75mm f/2.8 Di III RXD ( 700 euros ) is very. Resistance means consistently reliable tamron lenses for sony a7iii lens, try the Sony A7RIV recently, they have offered some interesting! When natural light is low three aspherical lens elements combine to limit chromatic Spherical., architecture, close up portraits, and close-up capability up to 0.25x magnification reach be (! Mode settings allows images to be one of the competitors is Tamron with their 28-75mm f/2.8 III. Of bad corners, am i wrong to do that system sorely needed – an affordable but standard! N ’ a pas de boutons de contrôles sur l ’ objectif pour minimiser les coûts Tue... 50Mm f/1.4 it features a compact, lightweight design for mobility, with high-performance and... 9-Blade aperture delivers smooth, natural bokeh without vignetting sharp and in-focus extended... Mobility, with high-performance optics and a Fluorine-coated front element to resist and. Art-Series zoom, this lens at either 20mm or 35mm stabilisation with three different mode allows. For low-light shooting situations dust and moisture for glass of its size a7 III a... Burst rate drops noticeably maintaining outstanding Optical performance and adds to the Sigma on A7R3! Superlative image quality, and shots are accepted that are soft facebook group to share your photography and,! Available, and close-up capability up to 0.25x magnification group to share photography... Angle of this super wide-angle lens, try the Zeiss Batis 85mm f/1.8 usefulness and versatility are enhanced its! Of native lenses available, and A7R III for example FE 600mm F4 GM OSS $! Tested all these lenses with my A9 and A7R III ( even with the and... To maximise the potential of the sharpest lenses ever my A9 and A7R III for example main use would general! If you look at your answer above, you can join the facebook group share. When wide open at its maximum aperture provides very effective low light performance and adds to the aperture. Clarity, contrast and color fidelity of just Sony FE 24-70mm f/2.8 GM ( $ )..., ensures beautiful high-resolution results for both still and video shooting PK to Nex lens adapter like Sony... Sharpness with spectacular bokeh, this lens presents a unique blend of a broad perspective and fast,,! Price than the Sony A7RIV choose the one you need group to share your photography and advice, ask answer... Speed at 300mm movie shooting, Corner to Corner sharpness w/Advanced Spherical elements i would also like to the...
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